supershifter2
DFO Star
my front bass heads are this much > < of the turn of a key from having a wrinkle.L_Johnson said:Look at that wrinkled reso......Loved this kit growing up.
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my front bass heads are this much > < of the turn of a key from having a wrinkle.L_Johnson said:Look at that wrinkled reso......Loved this kit growing up.
Mongo will take off shirt and give it to Paulmfryed2112 said:I was a fan, someone needs to tell Paul to put a shirt on though
Remember the thread about Chad Smith busting his drums up? Seemed a little forced.BeaTniK said:I was maybe twelve at this point in time.
1971, heads/rims removed but lugs still there,Houndog said:I think Nigel Olsen - Elton John had the first power tom set up ...you can see some old big band guys with extreme power toms as well ,but that's usually just one drumout of the set put in the middle kinda like Frank Beard ....Ignorant question. Was Criss among the first to play a set with huge concert toms in concert? Was this the beginning of power sizes?
I've seen the Hal Blaine kit from the 60s, but, as young as I was at the time, it seems the huge drum set as concert spectacle was not in widespread use in 73-74.
Same here. I never took KISS seriously. I'm sure they are better than I gave them credit for.Bandit said:As a teen I never gave Criss a second look, because of the band he was in. Looking at some of his playing now, I probably would of liked him if he had of been playing in a band I liked. He was busy, and played fun, large kits.
Enjoyed your last paragraph. Everyone writes off the 70's for various reasons but as you pointed out we had some fun. I guess we took it for granted but looking back offers a different perspective.retrosonic said:Well, I started playing 1973, when I was 13, and I Grew Up in the 70s. I well remember all the hysteria KISS caused with their music and their stage costumes. There were bands before them who *sounded* like them with the power guitars and just raw volumes, but no band ever looked like them with the make up and outlandish (some would say ridiculous) costumes.
As a young drummer, I certainly listened to Peters work, especially on the "Alive" album.
I'd have to say that my recollection is that in my circle of drummers, the feeling was that Peters playing was solid, good, heavy rock playing, but I dont recall anyone really jumping up and down. I really think, looking back that the big appeal of KISS was in the stage show, the costumes and the make up. They were absolutely Perfect for the decade of the 70s and I think that was their biggest asset.
I did like "Hard luck woman" alot, and I always thought that Mike Smith of the Dave Clark Five would have had a number One record with that song.
For those here who missed the decade of the 70s...what a wonderful decade to grow up in. Middle aged men were letting their hair grow and growing moustaches. My math teacher in high school had longer hair than me, and i thought that was the greatest thing in the world. People in general, were ready to just "take it easy" then. It was a much lighter and more fun time.
I DO recall my fellow drummers jumping up and down for Nigel Olsen's playing.
Great clip. 'Black Diamond' was a classic Kiss tune. I never saw this vid before. Thank you for sharing it!BeaTniK said:I was maybe twelve at this point in time.
"Candy-gram for Mongo, Candy-gram for Mongo"..Classic!supershifter2 said:Mongo will take off shirt and give it to PaulI was a fan, someone needs to tell Paul to put a shirt on though
That's a great point. Maybe that's why I sometimes think of those times as special for music. Bands were indeed mysterious in a way that I don't believe those who didn't live then could understand, and like you said, the music magazines, and a couple of late night TV shows, were all we got to see of the bands. The big album covers and inner sleeves were where a lot of the bands' identities came from. It was normal for me to hold the album cover looking at it while the record played. Their dirty laundry, habits, and relationships were were not instantly displayed to the world. Press releases meant something. Could a band really conceal their faces in current times for as long as Kiss did theirs?Polska said:As a music lover, I'm glad I grew up in the 70's and 80's. I love the internet, but before that there was a mystery about bands. All you had were Creem, Rolling Stone and a few other mags to keep up with bands. It's odd to think about now, but no one knew anything about the guys in Kiss back then, and in a time of Bowie and Alice Cooper, it fit right in while being even more over the top. It was a cool time. I definitely got my $8 worth seeing them live (my first concert ever - 1978).
Gary: I guess you haven't heard of Ghost, currently selling out every venue and selling lots and lots of records--without revealing their identities.Fun 2 Drum said:That's a great point. Maybe that's why I sometimes think of those times as special for music. Bands were indeed mysterious in a way that I don't believe those who didn't live then could understand, and like you said, the music magazines, and a couple of late night TV shows, were all we got to see of the bands. The big album covers and inner sleeves were where a lot of the bands' identities came from. It was normal for me to hold the album cover looking at it while the record played. Their dirty laundry, habits, and relationships were were not instantly displayed to the world. Press releases meant something. Could a band really conceal their faces in current times for as long as Kiss did theirs?As a music lover, I'm glad I grew up in the 70's and 80's. I love the internet, but before that there was a mystery about bands. All you had were Creem, Rolling Stone and a few other mags to keep up with bands. It's odd to think about now, but no one knew anything about the guys in Kiss back then, and in a time of Bowie and Alice Cooper, it fit right in while being even more over the top. It was a cool time. I definitely got my $8 worth seeing them live (my first concert ever - 1978).